The evening included a range of performers, from Kazem Davoudian (a virtuoso on the santur, a 72-string hammered dulcimer) to the cutting-edge ModernWorks Ensemble. Davoudian provided the most vivid links to tradition, performing two lengthy, impassioned improvisations built on the modes of Persian classical music. Both were sweeping tapestries of sound that evoked landscapes of windswept plains, rolling caravans, frenzied tribal dances and the smoke of wood fires.
Dancer and choreographer Nejla Yatkin provided a brief dance interlude with her muscular but fluid “What dreams may come . . .” in a world premiere, and cellist Madeleine Shapiro turned in a superb reading of Tolga Tuzun’s “Five Preludes” for solo cello, conjuring up an array of exotic sounds that held together with conviction and purpose.
A set of six “Folk Songs” by the Iranian-born Reza Vali most effortlessly unified tradition with modernism. Vali’s sonic imagination is both sophisticated and vivid — his pairing of a bass flute against high harmonics on the cello was only one of many memorable moments — but there’s a simplicity and directness of expression at the core of his music that made these songs not just interesting but moving. More of Vali’s music is being featured at the Freer on Saturday night.
Brookes is a freelance writer.